Evidence of the “well where else was I supposed to put the ‘wet paint’ sign” phenomena.
Our Tybee Jump Rope made a surprise appearance in this week’s New York Mag as one of their “Best Bets.”
First day at Artsy. I’ve joined to engineering team. Intense. Great.
We have just released the Langley Churchkey, a brass bottle opener possibly quite at home on your coffee table.
An entirely local project, these were stamped, bent, ground, hammered, filed and tumbled right here in Brooklyn, NY.
The weekender.
Extremely-Quick-Prototype-Mondays (EQPM) at GENMFGCO. This is a very rough bent and ground brass bottle opener.
I spent possibly forever this morning going through the photographs in the show “Looking at the Land.” Organized by Andy Adams, the show includes work by several artists whose work I’ve long admired—Jesse Chehak, Ian Baguskas, Justin James Reed and Ryan Boatright—and quite a few I’m stoked to discover for the first time.
Excerpted from the project statement:
Looking at the Land is about more than the pictures it presents; it’s about the ideas and experiences that move the people who made them. Many of these artists have been formally trained. Some are self-taught. All of them are impacted by popular culture and a deep awareness of the history of the landscape art tradition. These are 21st century photographic views; they’re also personal perspectives that illustrate current practice in landscape picture-making. Understanding the things that influence these photographers is key to learning how their tradition is evolving.
Public Fruit Wallpaper Honolulu, 2012 by FALLEN FRUIT
Commissioned by GREY AREA and Smart Car for the launch of the all-new Electric Drive
And there’s the newly painted black/grey Minocqua Hold’n Fold. We’re releasing it tomorrow, assuming we can get some fair product photographs between now and then.
Minocqua Hold’n Fold in black/grey getting painted for release tomorrow @genmfgco.
